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Jeremy Taylor is a London-based actor, singer and musical theatre performer.
Training: Guildford School of Acting.
Theatre includes: Raoul in The Phantom of the Opera (Her Majesty's), Ozzie in On the Town (Open Air Theatre), Fiyero in Wicked (Apollo Victoria), understudy ‘Galileo’ in We Will Rock You (Dominion); Evita (UK tour); ‘Rolf’ in The Sound of Music (UK tour) and understudy ‘Rolf’ in The Sound of Music (London Palladium).
Other work
I decided to take a bit of a break over the last few weeks from solely doing Grade 6 prep, and have had some fun with this Gershwin Prelude on my own away from lessons! ----------------------------------------------------------------------------------------------
The piece I have chosen for my Grade 6 exam. Why did I have to pick one of the hardest pieces in List A?!? ----------------------------------------------------------------------------------------------
Join me for my second live piano practice session! ----------------------------------------------------------------------------------------------
I always pick a jazz piece in the C list for ABRSM exams, and it's great to have an actual piece of jazz by a recognised jazz musician in the Grade 6 syllabus this year. I do find some of the other jazz pieces are a bit too... pedagogical, to put it mildly. I'm still wrapping my fingers around the runs in the middle section - quite obvious in this recording - but it's coming. Next up, I will be working on my A list piece - Schubert's Moment Musicaux No.3. Not easy! ----------------------------------------------------------------------------------------------
One of my choices for the Grade 6 exam next year with ABRSM. I've been putting off recording on my new piano (I say new... it's a pretty old Kawai K15 that I've rented, so it's not exactly a Steinway!) but I'm still getting used to it and I wasn't sure what the audio was going to sound like recorded on my iPhone - but in the end I just thought let's get on with it! It's lovely to have a real piano to play on each day. I haven't missed my digital once! ----------------------------------------------------------------------------------------------
Much like Prelude in C, this one was a short project. I have started some bigger pieces which are going to take a while before they're ready to record, but in the meantime I looked at this. I practiced it for a few hours, and tried to do as little takes as possible; I think this was about the 10th. It's not perfect, the voicing isn't great upon listening back, but - who cares! Enjoy the beauty of Robert Schumann's music. ----------------------------------------------------------------------------------------------
This is my C list piece for my upcoming Grade 5 exam with ABRSM. I find Blue Waltz sounds and feels very different when played on an acoustic rather than on my digital - which I've recorded this on - so my plan is to hire an acoustic for a few hours over the next couple of weeks before the exam to practice on! ----------------------------------------------------------------------------------------------
Not a perfect recording by any means, but the best I can do for now. Lots still to work on in the run up to the exam! ----------------------------------------------------------------------------------------------
Join me for my first live piano practice session! ----------------------------------------------------------------------------------------------
This piece, Bach's Prelude in C from the Well Tempered Clavier, has been the most significant progress marker for me so far. This was one of the first pieces I attempted to play when I was just starting out (......!) and it took me AGES to piece it together, of course. Coming back to it after nearly two years, I was amazed to find I was able to sight read it to 90-95% accuracy. After an hour of playing it through (and negotiating the page turn) I made this recording. Progress on this instrument feels like it happens on a geological time scale - making those occasional moments when you can notice the progression extremely satisfying. I hope you enjoy listening to this piece as much as I enjoy playing it! ----------------------------------------------------------------------------------------------
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I'm extremely pleased to be able to upload this video of me playing John Field's Nocturne No. 5 in Bb major... pleased because I can say with absolute certainty that, to date, this is the most difficult piece I have played! With constantly changing left hand arpeggio patterns, and a melodic right hand that appears with more and more decoration as the piece progresses, it has been a challenge. There's also a 4:3 polyrhythm in there for good measure. The left hand arpeggios are so consistent (and persistent!) throughout, that my left hand/arm ached as I practiced this... from sheer muscle use alone. I had to remind myself this was once a Grade 5 piece, not a Grade 6/7. Despite these hurdles, it has been super exciting to be able to tackle a Nocturne after listening to so many of Chopin's great ones. I look forward to doing many more in the future. ----------------------------------------------------------------------------------------------
A recent recording I made of Scriabin's Prelude in Db major, Opus 11 No. 15. This is a piece of many firsts: my first Scriabin piece, and also the first piece I've looked at in Db major... I think anyway! It's a beautiful piece - blissful and melancholic in equal measures. Phrasing came quite naturally when practicing this piece, but technically it was a challenge. I'm still struggling to get all notes of a chord to come down at exactly the same time (I can hear a few duff ones in this recording...) but it's something that will hopefully improve with time. ----------------------------------------------------------------------------------------------
It felt like the right time to work through another Bach Invention - the previous one being No. 1 in C last year: https://youtu.be/XJFNb9hHrNA. I have enjoyed this one in D minor much more. There seems to be much more drama here because of the minor key, the ominous left hand trill and the low C# that the scale pattern hits each time. Enjoy! ----------------------------------------------------------------------------------------------
Full piece https://youtu.be/zHznrCNC31A ----------------------------------------------------------------------------------------------
New Orleans Nightfall by William Gillock, an ABRSM Grade 5 piece from a few years ago. I luckily spent some time in New Orleans in 2016 so had a mental image in mind when i was practicing/playing… though I will say the French Quarter Is more like the fast bit of the piece not the slow! Not much more to say about this piece... it's an easy piece to love! ----------------------------------------------------------------------------------------------
La Barca by Federico Mompou, from his collection "Impresiones íntimas". This piece immediately jumped out at me when listening to all the exam pieces for Grade 5, so I added it to my list. This is technically a lot harder than it sounds... lots of held notes, melody and accompaniment in the right hand, with a bass and tenor part in the left hand. There is also some pretty big chords - one in particular where I had to stretch both hands to reach a tenth in each... just at the limit of my hand span. I imagine I will either play this or Schumann's "Von fremden Ländern und Menschen" as my List B piece, but will decide much nearer the exam. ----------------------------------------------------------------------------------------------
I have finally got round to recording Sibelius' lovely piece Joueur de Harpe from the ABRSM Grade 5 syllabus for 2019/20. After having a lesson on this piece with my teacher, I worked on it for a while, but then put it away for a bit whilst I worked on the Beethoven Bagatelle and the Chopin Prelude. There has been the odd piece over the last year that I haven't recorded, and I didn't want this one to become one of those - as it always sounds really beautiful, even when not played perfectly. Objectively, I'm not sure all notes rang out as clear as I intended them to - but as always, this is the best I can get this piece.. for now! I look forward to returning to some of these lovely pieces in a few years time when, hopefully, my technique and musicality has improved. ----------------------------------------------------------------------------------------------
A recent recording I did of Chopin's E minor Prelude (Op. 28 No. 4). These subscriber special videos are three things, a) a thanks to those who have subscribed, obviously, b) an opportunity to challenge myself with a "stretch" piece, and c) a bit of fun. I'm usually quite strict with myself and only do pieces that are of the Grade I currently am working towards, but every now and again I like to challenge myself with something from the Grade above. ----------------------------------------------------------------------------------------------
My recording (for now!) of this Bagatelle in G minor by Beethoven (Op. 119, No. 1). This is probably the most challenging piece I've played so far. As always it is a work in progress, but this is as good as I can get it for now. I will revisit this piece later in the year when it is time to start choosing exam pieces for Grade 5! ----------------------------------------------------------------------------------------------
Link to my full version: https://youtu.be/wfgMdCEnyug ----------------------------------------------------------------------------------------------
A recording I made of Einaudi's "Elegy for the Arctic" after about 5 or 6 hours of practice. I will certainly come back to it, but I've done all I can with it for now. It is quite a simply constructed piece, yet no less difficult because of it. It feels quite improvisatory in tone, so whilst I have paid attention to Einaudi's articulation markings, I haven't been too strict with the dynamic instructions... and have put my own stamp on bits of it instead. It's actually quite a nice piece if you want to familiarise yourself with the F minor key! ----------------------------------------------------------------------------------------------
My version of Einaudi's "Atoms". It took me about half an hour to work out the chords - and in light of the sheet music not being available yet, this improvisation is as close an approximation of Einaudi's new piece as I could get after half an hour. Einaudi's style seems to be basically improv anyway, and he sometimes plays his published pieces very different live. The chords are variations of F# minor, to E major, then to a B major 7 of some sort... I think. There is a B section with a base D, E, D, C# pattern that is quite nice, with about the same right hand chords on top. ----------------------------------------------------------------------------------------------
Schumann's "Of Foreign Lands & People" from Kinderszenen, Op. 15. Since I began on this piano progress journey, I have always wanted to play this piece that is packed full of reminiscence and memory. One day I hope to be able to play some more from Op. 15! ----------------------------------------------------------------------------------------------
This is a tricky piece (that feels more Grade 5 than 4!) and there is lots to learn from it. It has three lines... a melody at the top, an arpeggio/broken chord pattern in the middle, and a bass line at the bottom. One of the challenges is keeping them all separate and distinct. The next challenge is bringing out the melody, and the bass line to some extent, and keeping the arpeggio lighter and less prominent whilst also solid and secure. Not easy. Anyway, it's a great, short piece that should be on every Grade 4'ers rep list I feel! ----------------------------------------------------------------------------------------------
Thank you to everyone who has subscribed. To celebrate 100 subscribers (and the Chopin Competition this month!) I have attempted to play Chopin's Sostenuto in Eb. It is included in the Waltz collection by Henle as an Appendix. Tackling even "beginner" Chopin is difficult, and more than ever, this is definitely a work in progress! Some of you will notice I am not playing this on my usual Casio... but on a Bechstein Grand! I hired one for an hour at Jaques Samuel Pianos on the Edgware Road for this recording - and what a beautiful piano it is! 02:01 - Outtake! ----------------------------------------------------------------------------------------------
A lovely Gershwin-esque piece, in this year's ABRSM Grade 4 Syllabus. There are some technical difficulties like pedalling which, at least to my teacher and me, needed some more choices and lift-offs than the sheet music prescribed. There was also the challenge of making the right hand legato and cantabile, and shaping it in the right way; listening back to this recording, I have bumped a few notes... so perhaps if I decide to do this piece for the exam later this year, I'll iron those out and re-record it. I haven't played through the rest of the book (Jazz, Rags & Blues Vol. 3), but if they're anything like this one, I think this book is well worth buying. ----------------------------------------------------------------------------------------------
I've finally got round to recording this very difficult piece - well, difficult for me! It's relentless but also accessible; it's in the key of C major, and has a repeated pattern in both hands which, once in the fingers, brings fluency to the whole piece. It was in the ABRSM Grade 4 Syllabus for 2015/16, but I believe it to be on the more taxing end of Grade 4 pieces... closer to Grade 5. I would have recorded it slightly sooner, but I don't like to attempt a 'final' recording until I've taken a piece to my teacher and worked on it with him at least once - and my teacher has been extremely busy recently, hence why this has taken over a month. Enjoy! ----------------------------------------------------------------------------------------------
Continuing my love for Baroque pieces in Minor keys, this Sarabande from Buxtehude’s Suite in E minor (BuxWV 236) is really beautiful. The challenge with this piece has been to hold the notes on for the correct amount of time (harder than it sounds), as well as separate the lines out within the broken chords… keeping the melody prominent, as well as keeping the piece routed in a steady bass line. ----------------------------------------------------------------------------------------------
Link to full version of this piece: https://youtu.be/6-8RKHE2Imk ----------------------------------------------------------------------------------------------
Some jazz for a change! From the ABRSM Grade 4 syllabus 2013/14. There are a lot of challenges in this piece... the two most prominent being the extended jazz chords, which are much more complicated than any chords I've encountered so far in any other pieces, and attempting to project the melody line in the right hand - often within a chord being played in the same hand. This should be a touch faster (minim = 60) but I think the slower tempo makes it sound like something you’d here in the corner of a cocktail bar. ----------------------------------------------------------------------------------------------
One of my favourite Schumann pieces. I attempted this piece at the beginning of the year (see my One Year Progress video https://youtu.be/WxnOgLpoAuI!) but it was just too difficult. As always with all the pieces I upload, it’s a work in progress - especially so with this one. I have a feeling I’m going to return to it many times in the future. Like all my other videos, I’ve blended the audio file I recorded at the same time with the live audio picked up by my iPhone - it sounds clearer, and you don’t get so many of the London emergency services sirens. Although there is one right after I finish
0:00 - Hour 1 (hands separate, hands together slowly) 0:17 - Hour 2 (metronome) 0:24 - Hour 3 (quicker tempo) 0:28 - Schmitt exercises, Op. 16 0:34 - Hour 4 (hands together, fluency) 0:49 - Hour 6 (set backs...) 1:20 - Final take! ----------------------------------------------------------------------------------------------
I found this in an old ABRSM Grade 4 book from 2007! I seem to enjoy pieces in B minor too. This is the first movement from Zipoli's Suite in B minor (Op. 1, No. 17). This piece is the longest I have played so far, and that's without doing any of the repeats... Again, I'm finding ornaments really tricky, and I am working on them with my teacher - at the moment, I am attempting to play exactly what is written on the page for them. Enjoy! ----------------------------------------------------------------------------------------------
It's great to be getting started with Grade 4 material. For me, it's a big step up from Grade 3 - I'm particularly noticing the frequency of multiple voices played in one hand (although not so much in this particular piece) and the challenge of bringing one out over the over. There also seems to be pieces with much more emotional weight than previous Grades; like this delicate, reflective and quite sad piece by C.P.E. Bach (J.S's son!). It seems this piece is an arrangement by Lang Lang (or someone who works for him?) of a section of the Cantabile movement of CPE Bach's Sonata in B minor (Wq. 55/3, H.245), which in turn has been picked up by the exam board for this year's Grade 4 Syllabus. ----------------------------------------------------------------------------------------------
Jeremy Taylor is interviewed about his life and career in Musical Theatre! 00:00 - First experience of theatre 03:56 - Drama School 06:00 - Coasting at drama school 09:10 - Career highlights 13:40 - Pre-show rituals 17:23 - Special skills 23:01 - Favourite theatre 26:40 - Quickfire round 27:33 - F.R.I.E.N.D.S 31:10 - Advice to young people who want a career in theatre Recorded on 08/08/20 #Wicked #ThePhantomoftheOpera #GuildfordSchoolofActing
Connor and Catherine sit down with Jeremy Taylor, to discuss Phantom, his training at Guildford School of Acting, making his West End debut in The Sound of Music at the London Palladium, playing Fiyero in Wicked, and being part of We Will Rock You at the Dominion! Recorded on 22/05/19 #Wicked #WeWillRockYou #ThePhantomoftheOpera
Joanne Malin interviews Jeremy Taylor about his experiences working at the London Palladium! Recorded on 01/09/10 #TheSoundofMusic #LondonPalladium #Rolf
Tim McArthur and Nathan Matthews interview Jeremy Taylor about his experiences playing Raoul in The Phantom of the Opera in London's West End! Recorded on 01/02/19 #Raoul #ThePhantomoftheOpera #HerMajestysTheatre
Jeremy Taylor interviewed about his latest job, Raoul in The Phantom of the Opera in London. Recorded on 13/09/17 #Raoul #ThePhantomoftheOpera #HerMajestysTheatre
Here is some of our great customised merchandise for this performer. Also check out:
WICKED When Dorothy famously triumphed over the Wicked Witch, we only ever heard one side of the story. Gregory Maguire's acclaimed 1995 novel, Wicked: The Life and Times of the Wicked Witch of the West, re-imagined the Land of Oz, creating a parallel universe to the familiar story written by L Frank Baum and first published as The Wonderful Wizar...
THE PHANTOM OF THE OPERA Far beneath the majesty and splendour of the Paris Opera House, hides the Phantom in a shadowy existence. Shamed by his physical appearance and feared by all, the love he holds for his beautiful protégée Christine Daaé is so strong that even her heart cannot resist. The musical opened at Her Majesty’s Theatre on 9 October...
Joining Tim Howar, who plays the title role in the London production of The Phantom of the Opera for an initial run from 3 September to 8 December 2018, are Kimberly Blake as Carlotta Giudicelli and Ross Dawes as Monsieur Firmin.
Don't be too sad to wave goodbye to Ben Forster - THE PHANTOM OF THE OPERA has a new Ben on the way, and he's not exactly new to the role of the masked man. Ben Lewis was acclaimed in the Australian premiere of Andrew Lloyd Webber sequel Love Never Dies. Which other #StageFaves join him in the West End from 4 September?
Randy American sailors Gabey, Chip and Ozzie - immortalised in the 1949 Hollywood film of Leonard Bernstein's classic musical ON THE TOWN - will be played in this summer's much-anticipated Open Air Theatre production by Strictly Come Dancing and Hollyoaks star Danny Mac, newcomer Fred Haig and Jeremy Taylor. It's the biggest dance production in the theatre's history, directed and choreographed by Drew McOnie. Full cast of #StageFaves now announced...
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