Dr. Seuss's The Lorax

All My Sons | Trailer

Book your All My Sons tickets today: https://bit.ly/2P5ucbq Jeremy Herrin directs Sally Field and Bill Pullman in Arthur Miller’s blistering drama, All My Sons.

How well do you know Noël Coward? | Present Laughter

Book now for Present Laughter: https://bit.ly/2HDmQf6 We challenged Matthew Warchus and Andrew Scott on how well they really knew Noël Coward... Can you do better? Matthew Warchus directs Andrew Scott in Noёl Coward’s provocative comedy, Present Laughter. The cast also includes Luke Thallon, Sophie Thompson, Suzie Toase and Indira Varma.

The American Clock | Interview with Justin Ellington and Darron L West

Book your tickets to The American Clock today: https://bit.ly/2pYuA0e Justin Ellington and Darron L West discuss the music of The American Clock. Watch to discover how as a Composer and Sound Designer they worked together to bring Arthur Miller's play to life on stage at The Old Vic.

Touch Tours at The Old Vic

The Old Vic aims to be welcoming and accessible to all. We are committed to making your visit as easy and enjoyable as possible. Our theatre is nearly 200 years old so there are a few areas where access is restricted by the building’s physical layout but we will always do all we can to welcome you. Find out more: https://www.oldvictheatre.com/your-visit/access

Schools Club students interview Julia Locascio | The American Clock

Schools Club students Lauren and Obed interview Baylis Associate Director Julia Locascio to find out more about The American Clock. Schools Club provides bespoke workshops, theatre tickets, backstage tours and diverse educational resources for staff and students. It supports the curriculum and works with schools and students from areas of London with poor arts provision. The Old Vic partners with 40 secondary schools, engaging with up to 1200 students each academic year. To find out more visit: www.oldvictheatre.com/join-in/for-teachers/schools-club Access our Education Pack for The American Clock here: www.oldvictheatre.com/join-in/for-teachers/education-packs Book your tickets to The American Clock: www.oldvictheatre.com/whats-on/2019/the-american-clock

Matthew Warchus and Andrew Scott | Present Laughter

By Noёl Coward Directed by Matthew Warchus Starring Andrew Scott Matthew Warchus will direct Andrew Scott in Noёl Coward’s provocative comedy, Present Laughter, opening on 25 June with previews from 17 June. The cast also includes Luke Thallon, Sophie Thompson, Suzie Toase and Indira Varma. Pride fans will know that Present Laughter isn’t the first time Matthew Warchus and Andrew Scott have worked together – we caught up with them to find out more about the show

One Hand Tied Behind Us | 'We Raise Girls' by Bola Agbaje, performed by Sheila Atim

Contains some strong language. One Hand Tied Behind Us was performed just after International Women’s Day 2018 and marked 100 years since the 1918 Representation of the People Act gave the first women in Britain the right to vote. Curated by Maxine Peake, this special one-off performance of monologues explored key moments in the history of women’s rights in the UK, and looked forward to the future of the fight for equality. We Raise Girls! by Bola Agbaje, performed by Sheila Atim Betsy by Ella Hickson, performed by Jill Halfpenny Contactless by Maxine Peake, performed by Siobhan McSweeney Imagine That by Kit de Waal, performed by Flo Wilson Mother’s Little Helper 1963 by Jeanette Winterson, performed by Celia Imrie Find out more about upcoming One Voice performances: http://bit.ly/2SzCIR1

One Hand Tied Behind Us | 'Imagine That' by Kit de Wall, performed by Flo Wilson

Contains some strong language. One Hand Tied Behind Us was performed just after International Women’s Day 2018 and marked 100 years since the 1918 Representation of the People Act gave the first women in Britain the right to vote. Curated by Maxine Peake, this special one-off performance of monologues explored key moments in the history of women’s rights in the UK, and looked forward to the future of the fight for equality. We Raise Girls! by Bola Agbaje, performed by Sheila Atim Betsy by Ella Hickson, performed by Jill Halfpenny Contactless by Maxine Peake, performed by Siobhan McSweeney Imagine That by Kit de Waal, performed by Flo Wilson Mother’s Little Helper 1963 by Jeanette Winterson, performed by Celia Imrie Find out more about upcoming One Voice performances: http://bit.ly/2SzCIR1

One Hand Tied Behind Us | 'Mother's Little Helper' by Jeanette Winterson, performed by Celia Imrie

Contains some strong language. One Hand Tied Behind Us was performed just after International Women’s Day 2018 and marked 100 years since the 1918 Representation of the People Act gave the first women in Britain the right to vote. Curated by Maxine Peake, this special one-off performance of monologues explored key moments in the history of women’s rights in the UK, and looked forward to the future of the fight for equality. We Raise Girls! by Bola Agbaje, performed by Sheila Atim Betsy by Ella Hickson, performed by Jill Halfpenny Contactless by Maxine Peake, performed by Siobhan McSweeney Imagine That by Kit de Waal, performed by Flo Wilson Mother’s Little Helper 1963 by Jeanette Winterson, performed by Celia Imrie Find out more about upcoming One Voice performances: http://bit.ly/2SzCIR1

One Hand Tied Behind Us | 'Betsy' written by Ella Hickson and performed by Jill Halfpenny

Contains some strong language. One Hand Tied Behind Us was performed just after International Women’s Day 2018 and marked 100 years since the 1918 Representation of the People Act gave the first women in Britain the right to vote. Curated by Maxine Peake, this special one-off performance of monologues explored key moments in the history of women’s rights in the UK, and looked forward to the future of the fight for equality. We Raise Girls! by Bola Agbaje, performed by Sheila Atim Betsy by Ella Hickson, performed by Jill Halfpenny Contactless by Maxine Peake, performed by Siobhan McSweeney Imagine That by Kit de Waal, performed by Flo Wilson Mother’s Little Helper 1963 by Jeanette Winterson, performed by Celia Imrie Find out more about upcoming One Voice performances: http://bit.ly/2SzCIR1

The American Clock | Trailer

Book your tickets to The American Clock today: https://bit.ly/2NQ1z0u Watch our on-stage video of the Marathon Dance. This was a 1920s human endurance contest where couples danced almost non-stop for hundreds of hours. ‘For them the clock would never strike midnight, the dance and the music could never stop…’

The American Clock | Vox Pops

Vox Pops from opening night of The American Clock, now showing at The Old Vic until 30 Mar. Tickets from £12. Visionary director Rachel Chavkin (Hadestown) presents Arthur Miller’s ground-breaking play about hope, idealism and a nation’s unwavering faith in capitalism.

The American Clock | Teaser Trailer

Book your tickets today: https://bit.ly/2NQ1z0u The American Clock turns, fortunes are made and lives are broken. In New York City in 1929, the stock market crashed and everything changed. Visionary director Rachel Chavkin (Natasha, Pierre & the Great Comet of 1812, Hadestown) presents Arthur Miller’s ground-breaking play about hope, idealism and a nation’s unwavering faith in capitalism.

Happy New Year from The Old Vic

Relive our favourite moments from 2018

Merry Christmas from The Old Vic

Our iconic, 200 year old stage is yours this Christmas - stand on it for yourself amidst A Christmas Carol's magical indoor snow and experience a sight only seen by Old Vic performers. We hope to see you in 2019.

What Audiences Think | A Christmas Carol

Book tickets for A Christmas Carol today: http://bit.ly/2SRfkzD We caught up with our press night audiences and even Scrooge himself to find out what they thought of A Christmas Carol.

One Hand Tied Behind Us | 'Contactless' by Maxine Peake, performed by Siobhan McSweeney

Contains some strong language. One Hand Tied Behind Us was performed just after International Women’s Day 2018 and marked 100 years since the 1918 Representation of the People Act gave the first women in Britain the right to vote. Curated by Maxine Peake, this special one-off performance of monologues explored key moments in the history of women’s rights in the UK, and looked forward to the future of the fight for equality. We Raise Girls! by Bola Agbaje, performed by Sheila Atim Betsy by Ella Hickson, performed by Jill Halfpenny Contactless by Maxine Peake, performed by Siobhan McSweeney Imagine That by Kit de Waal, performed by Flo Wilson Mother’s Little Helper 1963 by Jeanette Winterson, performed by Celia Imrie Find out more about upcoming One Voice performances: http://bit.ly/2SzCIR1

The Old Vic One Voice | The Nuchess by Seiriol Davies, performed by Louise English

Curated by Lolita Chakrabarti Directed by Adrian Lester ‘No society can legitimately call itself civilised if a sick person is denied medical aid because of lack of means.’ Aneurin Bevan The Greatest Wealth, curated by Lolita Chakrabarti and directed by Adrian Lester, celebrated 70 years of the National Health Service this summer. Eight specially-commissioned monologues by Moira Buffini, Lolita Chakrabarti, Seiriol Davies, Matilda Ibini, Courttia Newland, Meera Syal, Jack Thorne and Paul Unwin were performed by Jade Anouka, Louise English, Dervla Kirwan, Ruth Madeley, Art Malik, Meera Syal, Sophie Stone and David Threlfall in response to each decade since Aneurin Bevan launched the NHS at Park Hospital, Manchester on 5 July 1948. Each evening will also include music performed by Gloria Obianyo and Dylan Townley. This Old Vic commissioned set of world premiere monologues saluted and discussed the past, present and future of our NHS, an extraordinary institution that supports every single one of us. An absolute jewel in our crown: https://www.oldvictheatre.com/whats-on/2018/the-greatest-wealth

Take The Lead

www.oldvictheatre.com/join-in/for-teachers/take-the-lead Take the Lead is a free employability programme for students aged 16–18 that uses theatre techniques and creative workshops to build on five core skills: communication, self-management, self-belief, teamwork and problem solving. This programme is created in collaboration with schools and businesses drawing on The Old Vic’s expertise as a theatrical institution and is specially designed to support young people to take ownership over their next steps after school. Take the Lead is open to any students, not just drama students, and we will work with 20 schools across the year and up to 1,000 KS5 students.

OV Tomorrow | Access

Please support us by donating today: https://www.oldvictheatre.com/ovtomorrow We all love our 200 year old theatre but disabled access is almost non-existent in our Grade II* listed building. In two centuries, no wheelchair users have ever had the opportunity to enter our Box Office or enjoy our front of house spaces. We need your help to change this.

Education, Community and Artist Development

The Old Vic is a gateway to a world of creative, social and employment opportunities in the theatre, join us today: www.oldvictheatre.com/join-in Whether your interest is in theatre on or off stage, in broadening your creative imagination, or simply learning how to communicate better in an interview, this is where futures begin.

OVTomorrow

Help us modernise The Old Vic for 21st Century audiences, donate now: https://www.oldvictheatre.com/ovtomorrow Today we (along with some familiar faces) launch a public fundraising campaign to support upgrades to the building that will, for the first time in its 200 year history, provide access for disabled patrons to the front of house spaces including the Box Office, the basement bar, main foyer and auditorium. In addition (to address the number one complaint of Old Vic audiences) the ladies' loo provision will be doubled.

Ben Bailey Smith performs 'Come On Home' | One Voice Remembrance

Curated by Arinzé Kene Directed by Annabel Bolton One Voice is a series of newly written monologues, spoken word and song from leading writers and performed by acclaimed actors on our stage − this is theatre in its rawest form. Without scenery, costume, and with nothing to rely on but words, One Voice reminds us what a single voice can do. Curated by Arinzé Kene (Girl from the North Country, The Old Vic/West End; Misty, Bush/West End) to mark 100 years since the Armistice, Remembrance brings together five new monologues to shine a light on the powerful, poignant and surprising stories often hidden in the shadow of conflict. The performances Come on Home written and performed by Ben Bailey Smith (Derek, writer of Four O’Clock Club) An Elephant Alone written by Rachel De-Lahay (Circles at Birmingham Rep/Tricycle) and performed by Inès De Clercq The Lily Parr Fan Club written by Monica Dolan (W1A) and performed by Melanie Kilburn Letter written and performed by David Ireland (Ulster American) Blue Buttons written by Arinzé Kene and performed by Jade Anouka

A Christmas Carol

The eagerly anticipated return of Jack Thorne's A Christmas Carol plays from 24 Nov. Tickets from £12 http://bit.ly/2SRfkzD Filling the auditorium to the brim with mince pies, music and merriment, a unique staging immerses the audience in this uplifting story for everyone aged 8+.

A Christmas Carol | Teaser Trailer

The eagerly anticipated return of Jack Thorne's A Christmas Carol plays from 24 Nov. Tickets from £12 http://bit.ly/2SRfkzD Filling the auditorium to the brim with mince pies, music and merriment, a unique staging immerses the audience in this uplifting story for everyone aged 8+.

A Christmas Carol | Behind The Scenes

Book now for Matthew Warchus’ big-hearted, smash hit production of Charles Dickens’ immortal classic A Christmas Carol: https://bit.ly/2yLXaXF We go behind the scenes at the photoshoot for A Christmas Carol with Director Matthew Warchus and Stephen Tompkinson, Ebenezer Scrooge. A Christmas Carol returns to The Old Vic with previews from 24 November.

The American Clock | Interview with Rachel Chavkin

Visionary director Rachel Chavkin (Natasha, Pierre & the Great Comet of 1812, Hadestown) presents Arthur Miller’s ground-breaking play about hope, idealism and a nation’s unwavering faith in capitalism. https://bit.ly/2pYuA0e

Remembrance

This Sun 4 Nov we mark the Armistice centenary with five new commissioned monologues, curated by Arinzé Kene (Misty). Get a sneak preview now from two of the writers Ben Bailey Smith and writer Monica Dolan. All tickets £10–£15, book now https://bit.ly/2qaohHe

Wise Children | What Audiences Think

A big, bawdy tangle of theatrical joy and heartbreak, Wise Children is a celebration of show business, family, forgiveness and hope. Expect show girls and Shakespeare, sex and scandal, music, mischief and mistaken identity. http://bit.ly/2xUhk1m

Audience Feedback | Wise Children

Hear audiences react to Wise Children. A big, bawdy tangle of theatrical joy and heartbreak, Wise Children is a celebration of show business, family, forgiveness and hope. Expect show girls and Shakespeare, sex and scandal, music, mischief and mistaken identity. http://bit.ly/2xUhk1m

Darling Daughter | Wise Children

Your first look at one of the numbers from Wise Children, opening at The Old Vic on Monday 8 October. http://bit.ly/2xUhk1m Emma Rice (Romantics Anonymous, Tristan & Yseult, The Flying Lovers of Vitebsk and Brief Encounter) brings her unique, exuberantly impish vision to Angela Carter’s great last novel, Wise Children, launching her new theatre company of the same name and its London residency at The Old Vic.

Wise Children | Nora & Dora Part 2

How well do our Nora and Doras know each other? We asked our twinnies a series of Wise Children-inspired questions in the second instalment of our TWINTERVIEWS (geddit?) as we count down to the first performance on Mon 8 Oct... http://bit.ly/2Q19UzM

Wise Children | Nora & Dora Part 1

How well do our Nora and Doras know each other? We asked our twinnies a series of Wise Children-inspired questions in the first of two TWINTERVIEWS (geddit?) as we count down to the first performance on Mon 8 Oct... http://bit.ly/2Q19UzM

17c | Annie-B Parson

Conceived and directed by Annie-B Parson, New York City based company Big Dance Theater makes its UK premiere at The Old Vic with 17c. http://bit.ly/2NwW1M8

Wise Children In Rehearsal

Book your tickets today: https://bit.ly/2svIh8K A big, bawdy tangle of theatrical joy and heartbreak, Wise Children is a celebration of show business, family, forgiveness and hope. Expect show girls and Shakespeare, sex and scandal, music, mischief and mistaken identity – and butterflies by the thousand.

Behind the scenes of the Wise Children photoshoot with Emma Rice

'We're going to take this deeply feminist show and root it in The Old Vic... Most importantly, it will be sat on the south side of the Thames'. Take a peek behind the scenes of the Wise Children photoshoot for your first look at Nora and Dora Chance: http://bit.ly/2CQ8Yg9

The 17c company tackle some niche British phrases

Big Dance Theater will be making their UK premiere this month with 17c – to help them prepare, we tested out their knowledge of some niche British phrases, and it was a bleedin’ brolly: http://bit.ly/2NwW1M8

17c Trailer

Book now: https://www.oldvictheatre.com/whats-on/2018/17c This is Samuel Pepys. Completely unfiltered. From his infidelities, to his perversions, to his meetings with the King, to his bunions, Pepys recorded it all in his diary. He had a compulsion to report every minute of his daily life and to examine himself through the pages. 17c splices contemporary dance, spoken word, video and music in this witty, fast-paced and feminist exploration of the tell-all diaries, taking apart Pepys’ character and giving voices to the women in his life – in particular his tragic wife, Bess. Conceived and directed by Annie-B Parson (Here Lies Love, National Theatre; Lazarus), New York City based company Big Dance Theater makes its UK premiere at The Old Vic. An Old Vic and Dance Umbrella production.

SYLVIA | Behind the scenes

For 3 weeks only at The Old Vic: http://bit.ly/2LuKsUV Co-written by Kate Prince and Priya Parmar with original music by Josh Cohen and DJ Walde, SYLVIA is a modern musical celebrating the life of Sylvia Pankhurst, her pivotal role in the campaign for women’s rights and the price of the passion and politics that tore her family apart. Meet some of the Company as we go behind the scenes of their latest photo shoot.

A Monster Calls | Official Trailer | Must end 25 Aug

★★★★★ The Times ★★★★ Evening Standard ★★★★ Financial Times ★★★★ The Guardian ★★★★ Independent ★★★★ The Stage ★★★★ The Telegraph ★★★★ Time Out ‘Stories are wild creatures, the monster said. When you let them loose, who knows what havoc they might wreak?’ Book now: https://www.oldvictheatre.com/whats-on/2018/a-monster-calls Thirteen-year-old Conor and his mum have managed just fine since his dad moved to America. But now his mum’s very sick and she’s not getting any better. His grandmother won’t stop interfering and the kids at school won’t look him in the eye. Then, one night, at seven minutes past midnight, Conor is woken by something at his window. A monster has come walking. It’s come to tell Conor tales from when it walked before. And when it’s finished, Conor must tell his own story and face his deepest fears. Patrick Ness’s piercing novel A Monster Calls is brought to The Old Vic stage in a powerful new adaptation by visionary director Sally Cookson.

'Rivers', written and performed by Meera Syal | The Greatest Wealth

Contains some strong language and adult themes. Curated by Lolita Chakrabarti Directed by Adrian Lester ‘No society can legitimately call itself civilised if a sick person is denied medical aid because of lack of means.’ Aneurin Bevan The Greatest Wealth, curated by Lolita Chakrabarti and directed by Adrian Lester, celebrated 70 years of the National Health Service this summer. Eight specially-commissioned monologues by Moira Buffini, Lolita Chakrabarti, Seiriol Davies, Matilda Ibini, Courttia Newland, Meera Syal, Jack Thorne and Paul Unwin were performed by Jade Anouka, Louise English, Dervla Kirwan, Ruth Madeley, Art Malik, Meera Syal, Sophie Stone and David Threlfall in response to each decade since Aneurin Bevan launched the NHS at Park Hospital, Manchester on 5 July 1948. Each evening also included music performed by Gloria Obianyo and Dylan Townley. https://www.oldvictheatre.com/whats-on/2018/the-greatest-wealth

E-tickets at The Old Vic

The Old Vic and the Lorax himself are delighted to announce the launch of e-tickets at The Old Vic. Dr. Seuss's The Lorax at The Old Vic: http://bit.ly/2fWJV0c The environmental loving ginger critter will return to the main stage from 15 October for a limited three week run with patrons encouraged to join us by going green and opting to NOT print their ticket confirmation. Instead they will be asked to show their confirmation on their phone from which a QR code can be scanned by front of house staff. Whilst many theatres operate a print-at-home system, we believe that The Old Vic is the first theatre to actively encourage audiences to not press print and use their phones instead. The Lorax says, ‘I speak for the trees, for the trees have no tongues.’ We listened to our friend and over a transitional period The Old Vic will endeavor to be 90% paperless by its 200th Birthday in May. Paper tickets will still be available, on recycled stock, for those that need them but we are urging people to opt for the e-option. This is part of a wider commitment to the building’s sustainability as an independent, not-for-profit theatre looking to secure our future. This is no mean feat for a building that has been standing for 200 years and despite these limitations, The Old Vic is constantly looking for more ways to be greener. Like the Lorax we care about the world around us and believe we must take responsibility and do our bit because after all, ‘unless someone like you cares a whole awful lot, nothing is going to get better. It's not.’

Sea Wall - Simon Stephens and Andrew Scott answer your questions

Playing at The Old Vic for a strictly limited 2-week run. 13 - 30 June https://www.oldvictheatre.com/whats-on/2018/sea-wall ‘One of the most devastating 30 minutes you are ever likely to experience in the theatre’ The Guardian In celebration of our 200th Birthday, the acclaimed Paines Plough production of Sea Wall, by Simon Stephens (The Curious Incident of the Dog in the Night-Time, National Theatre/West End), directed by George Perrin and performed by the multi-award winning Andrew Scott, will play at The Old Vic for just 2 weeks from Mon 18 Jun. Things for Alex are good. He loves his wife, his daughter, his city, his job. But sometimes the force of life can crash against you. Sometimes everything you thought you could always depend on can be taken away. Sea Wall was written by Simon Stephens as a stage play for Andrew Scott and now comes to The Old Vic in a strictly limited run, with tickets from just £10. Don’t miss the opportunity to see this quietly devastating monologue. ‘A spellbinding reminder of the power of story-telling in all its glorious simplicity’ The Independent

A Monster Calls - coming to The Old Vic from 7 July

Patrick Ness’s piercing novel A Monster Calls is brought to The Old Vic stage in a powerful new adaptation by visionary director Sally Cookson. It heads to The Old Vic from 7 July following a run at Bristol Old Vic - find out what audiences had to say about the show. Book now: https://www.oldvictheatre.com/whats-on/2018/a-monster-calls

Front Line at The Old Vic

With The Old Vic, 16–25 year olds have the opportunity to discover more about careers in theatre through paid placements with our Front of House team. Participants will get the opportunity to watch one of our productions, shadow various members of staff and take on important roles welcoming patrons to our theatre. Find out more: https://www.oldvictheatre.com/join-in/for-young-people/front-line Supported by The Golden Bottle Trust, The Lucille Graham Charitable Trust, The Holbeck Charitable Trust, and The Richard Radcliffe Charitable Trust.

A Monster Calls | The Old Vic

‘Stories are wild creatures, the monster said. When you let them loose, who knows what havoc they might wreak?’ Thirteen-year-old Conor and his mum have managed just fine since his dad moved to America. But now his mum’s very sick and she’s not getting any better. His grandmother won’t stop interfering and the kids at school won’t look him in the eye. Then, one night, at seven minutes past midnight, Conor is woken by something at his window. A monster has come walking. It’s come to tell Conor tales from when it walked before. And when it’s finished, Conor must tell his own story and face his deepest fears. Patrick Ness’s piercing novel A Monster Calls is brought to The Old Vic stage in a powerful new adaptation by visionary director Sally Cookson. Book now: https://www.oldvictheatre.com/whats-on/2018/a-monster-calls

The Old Vic at 200

Thank you to everyone who was able to celebrate 200 years of The Old Vic with us - take a look at all of the highlights from three days of celebrations. We hope you'll come see us in our 200th year: https://goo.gl/B6k75j

What audiences think about Mood Music at The Old Vic

Mood Music is a timely new play about power, passion and the price of creativity, written by Joe Penhall (Sunny Afternoon, Blue/Orange) and directed by Roger Michell (Notting Hill, Enduring Love). Book now: https://www.oldvictheatre.com/whats-on/2018/mood-music

Devising A Monster Calls

Our Stage Door Manager

‘All of the good, all of the achievements – the ballet, the opera, all of it – just from this little thing that was built in the middle of a bog all those years ago’ Ned Seago has been working at The Old Vic for over 30 years and in 2017 he won The Stage’s Unsung Hero Award – we followed him for a day last summer to find out what it is about The Old Vic that has kept him captivated for over three decades.